Vermillion Gate

by ASTRO

The Rollator Series on attenuation circuit, dedicated to noise and curated by noise artist ORiFiCE, returns with a new release by Japanese noise duo Astro. Hiroshi Hasegawa on modular synth and Rohco on electric violin (!) and electronics offer an intense, immersive and atmospheric noise album.

The album features three tracks, with the first two clocking in at about 15 minutes each. Thanks to the use of a variety of textural materials, not only the instruments mentioned above but also field recordings and samples, Astro create the dense, deep mass of sound that is necessary to achieve a great physical noise experience, but also manage to keep it musically interesting because there are always little changes going on in the sonic texture.

The third track, “Vermillion Gate”, lasts almost half an hour and is a relentless climb towards a culmination point which – spoiler alert – could lead one to suspect that one's listening device has broken. If noise is the intentional dramatisation of losing control over acoustic signal chains in order to demonstrate the fragility of our addictive relationship to technology, then this is a masterpiece that goes all the way towards the complete collapse of the system it has set up.


File under: noise

1015

factory-produced CDr in cardboard sleeve

Released in 2020

limited to 100 copies

price: 7.00 EUR (excl. postage)

Rollator Series ACRS 1015

recorded at several spaces between November 2019 and January 2020, mixed and mastered by Hiroshi Hasegawa at Koenji-Minami Studio Tokyo, February and March 2020.

Hiroshi Hasegawa (modular synth, field recordings and samplings)
and Rohco (electric violin and electronics)

coverartwork by DORIS BOEKER
design by EMERGE

www2.odn.ne.jp/astro/
cosmic-coincidence.tumblr.com
www.facebook.com/ASTRO-CCCC-Hiroshi-Hasegawa-139400716132299/

The Japanese noise unit ASTRO was founded in 1993.

Mastermind Hiroshi Hasegawa although founded and formed C.C.C.C. (a.k.a. Cosmic Coincidence Control Center), another well-known Japanoise outfit, in 1990.

It is very important for Hiroshi that listeners listen to his composition or details of his work carefully. He always feels noise is very fertile, that there are many opposite elements in it. Diversity and variousness are basic and crucial themes in this connection. Also one charm of noise is feeling both extreme images of destruction and creation in its background, he thinks.
Complete improvisation of free flow is elementary for live shows by ASTRO. Its style of playing seems like drifting between meditation and awaking …
Today ASTRO is a duo together with Rohco.

Also available here: http://www.discogs.com/seller/dependenz?sort=price&sort_order=asc&q=attenuation+circuit&st

ASTRO Vermillion Gate cover front
ASTRO Vermillion Gate cover back
ASTRO Vermillion Gate Inlay
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